My team which includes Lazz Promotions and Presto Publicity are generating a lot of great vibe on the Aerial Views release. Will Ackerman and Tom Eaton love this production as do the radio programers. Here are some quotes from reviewers…

Aerial Views, over the course of the first handful of tunes, turns into a first-class audiophile album... - Marc Phillips, The Vinyl Anarchist

While the smooth and versatile guitar work from Todd Mosby is front and center for most of the album, the focus does shift to the percussion. A very deep bass drum grabs your attention on “Aether,” and it is impressively full and pure in a very Planet Drum sort of way. I think that’s the exact moment when I decided to fall in love with the Volti Audio Razz loudspeakers I’m reviewing. They take a soft, mellow album like Aerial Views and inject so much air and space and depth that it becomes genuinely engaging…

There is another reason why Todd Mosby hits a home run with these release. Just look at his line-up: Tony Levin on bass, Jerry Marotta on drums, Sean Harkness on bass and a large crew that shapes each song through inventive contributions from violins, saxophones, lap steel guitars and just a dusting of synthesizers. Aerial Views never completely rises above that nebulous “easy listening” designation, but it’s intriguing enough to convince you to float along with it–at least until something fascinating makes you sit up and notice all those hidden layers.